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文化傳承 Cultural Transmission
宇晴虹的重要任務之一，是長期「拍攝記錄」。 他把鏡頭對準部落日常，從豐年祭到成年禮、 從耆老歌謠到傳統工法，逐步建立完整的影像檔案。 2024 年，他與花蓮縣政府合作，拍攝布農族一年 四季的重要活動，包含射耳祭的傳承與石板屋興 建等儀式與技藝。這些作品後來納入花蓮原住民 族傳統文化數位典藏導覽系統，不僅是珍貴的 文化資產，也是一套能被學校、社群與遊客使用 的教育資源。影像在這裡不只是紀錄，更是導航: 指引人們回到文化的源頭，理解儀式背後的倫理、 秩序與生命觀。
2025 年初，他又投入一段漫長的蹲點—— 在太平國小跟拍布農石板家屋的建造過程。五個 月裡，他追隨耆老與專家學者進出工地，記錄 挑石、砌牆、搭屋的每一個步驟。石板家屋不僅 是建築，更是布農族對環境的適應智慧與對祖靈 的敬重象徵。曾子昂說，影像作品除了讓外界 理解布農族，也在部落內形成一種「對話工具」: 族人在看見畫面後，會討論哪些做法該延續、 哪些該調整，更多被遺忘的細節於是被喚醒、 重新被記錄。影像因此不只是被動保存，而是 促進文化自我更新的媒介。
影像提供:宇晴虹工作室/ Image Source:USR FILM
One of the studio’s key missions is long- term documentation. From harvest festivals to coming-of-age ceremonies, from traditional songs to ancient crafts, they have been steadily building a visual archive. In 2024, Tseng worked with the Hualien County Government to capture footage of major Bunun rituals and the construction of slate houses. The films were later added to the digital archive system, becoming both cultural assets and educational resources.
In 2025, he spent five months on site filming the building of a traditional slate home, recording how indigenous elders collaborated with scholars and experts to restore this craft. These images are not just about preservation, but they also spark cultural renewal.
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